Milano, Italy
January 8, 2011
My train to Milano, Italy departed the Lugano station at 7:39am. To ensure I didn't repeat the mistake of the previous morning I made sure to wake up an obscene amount of time too early so I would not miss my train. However, after staying out late into the early hours of the morning, having what turned out to be maybe one too many drinks, and a restless night of sleep due to the snoring of a fellow traveler in a neighboring bunkbed, my 6:00am alarm clock seemed like torture. I dragged my exhausted body out of bed and prepared myself for the next leg of my adventure. In hindsight, while sitting for an hour in the darkness at the train track in the rain, I realized I may have taken my worry of deja vu to an extreme. Once I boarded the train southbound to Italy I crawled up in a ball to retain any warmth my body could generate and took a nap.
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Milano Centrale |
One short hour later, at 8:30am on the dot, I woke up at in Milano Centrale (Milan Central Station). I slowly gathered my things and got off the train to once again hunt down a map and a hostel. After wandering around the train station for about 30 minutes, wiping the sleep from my eyes and adjusting to consciousness, I found the visitor center. Yet again, with the smallest amount of information I could pry from the secrecy of the employee, I had a destination in the city. Now this is where things get a little comical as a direct result of lack of knowledge I received about Milano before being released into the city. What this certain individual failed to inform me was that it is about a mile and a half distance from the central station to the hostel - a short 7 minute subway ride costing a mere 1 Euro
or a two hour walk carrying a 20lbs. backpack with exhausted legs from two days of nonstop walking and a sleepless night. Unfortunately, I experienced the latter. So around 11:00am (after losing my map somewhere along the way and having to track down another), I finally arrived at Hostel La Cordata. Despite being in a country rich of history, design, carbs, and wine I took a mental and physical break and napped in the common room for about an hour.

According to Maslow's Hierarchy of Needs, after securing shelter, the next order of business: Lunch. Well, maybe not precisely "lunch" but it was the time of day and I had pizza on my mind. While heading towards the city center I was persuaded by a young Italian boy to try his little hole-in-the wall restaurant tucked away in an alley of deliciousness. I sat down at my table and ordered a grilled vegetable pizza. Unlike in the USA where it is common for people remove the grease from their pizza with their napkin to exclude themselves from the unhealthy American stereotype, in Italy, there was a big puddle of fresh olive oil poured atop my pizza - and I gladly ate it all.
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Leonardo di Vinci |
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Galleria Virrorio Emanuelle II |
Now that I had shed the 20lbs. of backpack weight at the hostel and gained back 20lbs. from eating delicious greasy Italian food, I began touristing. I first stumbled on a tall sculpture of Leonardo di Vinci. I can't describe the connection I feel to Leonardo di Vinci, but I hold the man with such high respect for making an undeniable impact on so many aspects of art, medicine, architecture, and technology. I felt honored to be standing in the presence of a tribute to the man. Beyond the statue was the Galleria Vittiorio Emanuelle II (1865). This double arcade is an incredible structure filled with boutiques from the most highly respected designers in the world (and McDonalds, of course). Both the interior and exterior architecture of this Galleria was so astonishing that there is no wonder it took 12 years to complete. The structure of the beautiful giant glass and cast iron dome suspended in the center was even used as inspiration for the Eiffel Tower. Just on the other side of the Galleria is the heart and soul of the city: Duomo di Milano.
In my previous attempts to convey the absolutely amazing things I have witnessed in my travels, I have written about the tiny cracks in the old architecture, the amazing repetition of the arc patterns in the cobblestone, and the transformation of the ordinary made extraordinary. However, as I am now reflecting on what I saw next in the midst of the holiday sale frenzy in Milan I am having a hard time finding the words that can remotely do justice to describing my experience.
As I reached the end of Galleria Vittiorio Emanuelle II, I caught my first glimpse of Duomo di Milano and my breath was immediately taken away. The feeling was so powerful that I literally forgot to breathe. It was almost as if I was scared to exhale because I wanted time to stand still until I could absorb and comprehend the perfection that was staring back at me. The vastness of the sheer size of the cathedral is enough to make you stumble on your own words. There is something violent about the harsh jagged edges created in the negative space surrounding the silhouette of the structure, yet the soft pink and white hues of the marble cushions the eye and draws your eye in towards the intricate details. Once you set aside the complexity of the design and focus on each component separately you are able to notice that each statue, motif, and pattern captures it's own personality and conveys an individuality that is completely different from the next. Each statue balanced on the building exterior is carved from marble with such detail and precision that if you let your imagination go the figure might just come to life. The vertical lines pointing to the heavens are repeated throughout the architecture and send a subliminal message of praise that is impossible to miss, though some people might not be able to decipher it.
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